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Ezra Pound's Early Verse and Lyric Tradition: Ezra Pound's Early Verse and Lyric Tradition: A Jargoner's Apprenticeship
Author: Robert Stark
Year: January 1, 2012
Format: PDF
File size: PDF 1.5 MB
Language: English



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Ezra Pound's Early Verse and Lyric Tradition: A Jargoner's Apprenticeship The book "Ezra Pound's Early Verse and Lyric Tradition: A Jargoner's Apprenticeship" by Robert Stark offers a comprehensive analysis of Ezra Pound's early verse and its evolution towards his radical Modernist style. The author argues that Pound learned how to write poetry as if it were a foreign tongue, using a unique lexicon, grammar, and morphology. This poetic "jargon" was influenced by the Medieval and Classical origins of his methods, as well as the practices and criticisms of his Victorian and Romantic predecessors. Stark explores the impact of poets such as François Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne, and Walt Whitman on Pound's lyrical style, highlighting his interest in dialect and the acoustic qualities of language. Through this study, Stark reveals how Pound's polyvocalism emerged from his fascination with the nuances of language and the possibilities of dialectical expression. The book begins by tracing the lyricism and musicality in Pound's early verse, demonstrating how these elements evolved into his radical Modernist style. Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employed, as well as considering the practice and criticism of his immediate Victorian and Romantic predecessors.
Ezra Pound's Early Verse and Lyric Tradition: A Jargoner's Pendisticship Книга Роберта Старка «Ezra Pound's Early Verse and Lyric Tradition: A Jargoner's Penditionship» предлагает всесторонний анализ раннего стиха Эзры Паунда и его эволюцию к его радикальному модернистскому стилю. Автор утверждает, что Паунд научился писать стихи так, как будто это иностранный язык, используя уникальный лексикон, грамматику и морфологию. На этот поэтический «жаргон» повлияли средневековое и классическое происхождение его методов, а также практики и критика его викторианских и романтических предшественников. Старк исследует влияние таких поэтов, как Франсуа Вийон, Гвидо Кавальканти, Роберт Бёрнс, Роберт Браунинг, Элджернон Чарльз Суинберн и Уолт Уитмен на лирический стиль Паунда, подчеркивая его интерес к диалекту и акустическим качествам языка. С помощью этого исследования Старк раскрывает, как поливокализм Паунда возник из его увлечения нюансами языка и возможностями диалектической экспрессии. Книга начинается с прослеживания лиризма и музыкальности в раннем стихе Паунда, демонстрируя, как эти элементы эволюционировали в его радикальный модернистский стиль. Старк контекстуализирует поэтическое ремесло Паунда, исследуя его отношение к медиевальным и классическим авторам методов, которые он использовал, а также рассматривая практику и критику его непосредственных викторианских и романтических предшественников.
Ezra Pound's Early Verse and Lyric Tradition : A Jargoner's Pendisticship Livre de Robert Stark « Ezra Pound's Early Verse and Lyric Tradition : A Jargoner's PP enditionship » propose une analyse complète du verset précoce d'Ezra Pound et de son évolution vers son style moderniste radical. L'auteur affirme que Pound a appris à écrire des poèmes comme s'il s'agissait d'une langue étrangère, en utilisant un lexique, une grammaire et une morphologie uniques. Ce « jargon » poétique a été influencé par l'origine médiévale et classique de ses méthodes, ainsi que par la pratique et la critique de ses prédécesseurs victoriens et romantiques. Stark explore l'influence de poètes comme François Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Elgernon Charles Swinburn et Walt Whitman sur le style lyrique de Pound, soulignant son intérêt pour le dialecte et les qualités acoustiques du langage. Avec cette étude, Stark révèle comment le polyvocalisme de Pound est né de sa passion pour les nuances du langage et les possibilités d'expression dialectique. livre commence par tracer le lyrisme et la musicalité dans les premiers poèmes de Pound, montrant comment ces éléments ont évolué dans son style moderniste radical. Stark contextualise l'artisanat poétique de Pound en explorant son attitude envers les auteurs médiévaux et classiques des méthodes qu'il a utilisées, et en examinant la pratique et la critique de ses prédécesseurs victoriens et romantiques immédiats.
Ezra Pound's Early Verse and Lyric Tradition: A Jargoner's Pendistichip de Robert Stark «Ezra Pound's Early Verse and Lyric Tradition: A Jargoner's Penditionship» ofrece un análisis completo del verso temprano de Ezra Pound y su evolución hacia su estilo modernista radical. autor afirma que Pound aprendió a escribir poesía como si fuera una lengua extranjera, utilizando un léxico, gramática y morfología únicos. Esta «jerga» poética fue influenciada por el origen medieval y clásico de sus métodos, así como por las prácticas y críticas de sus predecesores victorianos y románticos. Stark explora la influencia de poetas como François Willon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne y Walt Whitman en el estilo lírico de Pound, destacando su interés por el dialecto y las cualidades acústicas del lenguaje. Con esta investigación, Stark revela cómo el polivocalismo de Pound surgió de su pasión por los matices del lenguaje y las posibilidades de la expresión dialéctica. libro comienza trazando el lirismo y la musicalidad en el verso temprano de Pound, demostrando cómo estos elementos evolucionaron hacia su estilo modernista radical. Stark contextualiza el oficio poético de Pound investigando su actitud hacia los autores medievales y clásicos de los métodos que utilizó, así como considerando la práctica y crítica de sus inmediatos predecesores victorianos y románticos.
Ezra Pound's Early Verse and Lyric Tradition: A Jargoner's Pendisticship Livro de Robert Stark «Ezra Pound's Early Verse and Lyric Tradition: A Jargoner's enditionship» oferece uma análise completa do primeiro poema de Ezra Pound e sua evolução para o seu estilo modernista radical. O autor afirma que Pound aprendeu a escrever poemas como se fosse uma língua estrangeira, usando um vocabulário único, gramática e morfologia. Este jargão poético foi influenciado pela origem medieval e clássica de seus métodos, bem como pelas práticas e críticas de seus antecessores vitorianos e românticos. Stark explora a influência de poetas como François Vilon, Guido Cavalcanti, Robert Burns, Robert Browning, Elgernon Charles Swinburn e Walt Whitman no estilo lírico de Pound, enfatizando seu interesse pelo dialeto e as qualidades acústicas da língua. Através deste estudo, Stark revela como o polivocalismo de Pound surgiu do seu fascínio pelas nuances da língua e pelas possibilidades de expressão dialética. O livro começa por traçar o lirismo e a musicalidade no primeiro poema de Pound, mostrando como esses elementos evoluíram para o seu estilo modernista radical. Stark contextualiza o ofício poético de Pound, explorando suas atitudes em relação aos autores médios e clássicos dos métodos que usou, e considerando as práticas e críticas de seus antecessores vitorianos e românticos imediatos.
Ezra Pound's Early Verse and Lyric Tradition: A Jargoner's Pendisticship di Robert Stark "Ezra Pound's Early Verse and Lyric Tradition: A Jargoner's PVere enditionship offre un'analisi completa della poesia iniziale di Ezra Pound e della sua evoluzione verso il suo stile radicale modernista. L'autore sostiene che Pound ha imparato a scrivere poesie come se fosse una lingua straniera, usando un vocabolario unico, grammatica e morfologia. Questo gergo poetico è stato influenzato dall'origine medievale e classica dei suoi metodi, nonché dalla pratica e dalla critica dei suoi predecessori vittoriani e romantici. Stark studia le influenze di poeti come François Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Elgernon Charles Swinburn e Walt Whitman sullo stile lirico di Pound, sottolineando il suo interesse per il dialetto e le qualità acustiche del linguaggio. Con questo studio Stark rivela come il polivocalismo di Pound sia nato dalla sua passione per le sfumature del linguaggio e le possibilità di espressione dialettica. Il libro inizia tracciando il lirismo e la musicalità nella prima poesia di Pound, dimostrando come questi elementi si sono evoluti nel suo stile radicale modernista. Stark contestualizza l'artigianato poetico di Pound, esplorando il suo atteggiamento verso gli autori medievali e classici dei metodi che ha usato, e considerando la pratica e la critica dei suoi immediati predecessori vittoriani e romantici.
Ezra Pound 's Early Verse and Lyric Tradition: A Jargoner 's Pendisticship Robert Starks Buch „Ezra Pound 's Early Verse and Lyric Tradition: A Jargoner 's Penditionship“ bietet eine umfassende Analyse der frühen Verse von Ezra Pound und seine Entwicklung zu seinem radikalen modernistischen Stil. Der Autor behauptet, Pound habe gelernt, Gedichte zu schreiben, als wäre es eine Fremdsprache, indem er ein einzigartiges xikon, Grammatik und Morphologie verwendete. Dieser poetische „Jargon“ wurde durch den mittelalterlichen und klassischen Ursprung seiner Methoden sowie durch Praktiken und Kritik an seinen viktorianischen und romantischen Vorgängern beeinflusst. Stark untersucht den Einfluss von Dichtern wie François Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne und Walt Whitman auf Pounds lyrischen Stil und unterstreicht sein Interesse an Dialekt und akustischen Qualitäten der Sprache. Mit dieser Studie enthüllt Stark, wie Pounds Polyvokalismus aus seiner Faszination für die Nuancen der Sprache und die Möglichkeiten des dialektischen Ausdrucks entstand. Das Buch beginnt mit der Verfolgung von Lyrik und Musikalität in Pounds frühem Vers und zeigt, wie sich diese Elemente zu seinem radikalen modernistischen Stil entwickelten. Stark kontextualisiert Pounds poetisches Handwerk, indem er seine Beziehung zu medialen und klassischen Autoren der von ihm verwendeten Methoden untersucht und die Praxis und Kritik seiner unmittelbaren viktorianischen und romantischen Vorgänger untersucht.
”הפסוק המוקדם והמסורת הלירית של עזרא פאונד: תליון ירגונר” מציע ניתוח מקיף של הפסוק המוקדם של עזרא פאונד ואבולוציה שלו סגנון מודרניסטי. המחבר טוען כי פאונד למד לכתוב שירה כאילו הייתה שפה זרה, באמצעות לקסיקון ייחודי, דקדוק ומורפולוגיה. ”ז 'רגון” פיוטי זה הושפע מהמקורות בימי הביניים והקלאסיים של שיטותיו, ומהמנהגים והביקורות של קודמיו הוויקטוריאנים והרומנטיים. סטארק חוקר את השפעתם של משוררים כגון פרנסואה וילון, גווידו קאוולקנטי, רוברט ברנס, רוברט בראונינג, אלג 'רנון צ'ארלס סווינבורן ווולט ויטמן על סגנונו הלירי של פאונד, ומדגיש את התעניינותו בדיאלקט ובאיכויות האקוסטיות של השפה. בעזרת מחקר זה, סטארק חושף כיצד הפוליבוקליזם של פאונד נבע מהתעניינותו בניואנסים של השפה ובאפשרויות של ביטוי דיאלקטי. הספר מתחיל בהתחקות אחר הליריציזם והמוזיקליות בפסוק המוקדם של פאונד, ומדגים כיצד אלמנטים אלה התפתחו לסגנון המודרניסטי הרדיקלי שלו. סטארק מקשר את מלאכתו הפואטית של פאונד, חוקר את יחסיו עם סופרים מדיאליים וקלאסיים של השיטות בהן השתמש, ומסתכל על הנוהג והביקורת של קודמיו הוויקטוריאנים והרומנטיים המיידיים.''
Ezra Pound'un Erken Ayeti ve Lirik Geleneği: Bir Jargoner'ın Sarkacı Robert Stark'ın "Ezra Pound'un Erken Ayeti ve Lirik Geleneği: Bir Jargoner'ın Penditionship" kitabı, Ezra Pound'un erken ayetinin ve onun radikal modernist tarzına evriminin kapsamlı bir analizini sunar. Yazar, Pound'un eşsiz bir sözlük, dilbilgisi ve morfoloji kullanarak şiiri yabancı bir dilmiş gibi yazmayı öğrendiğini iddia ediyor. Bu şiirsel "jargon", yöntemlerinin ortaçağ ve klasik kökenlerinden ve Viktorya dönemi ve Romantik öncüllerinin uygulamalarından ve eleştirilerinden etkilenmiştir. Stark, François Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne ve Walt Whitman gibi şairlerin Pound'un lirik tarzı üzerindeki etkisini araştırıyor, lehçeye olan ilgisini ve dilin akustik özelliklerini vurguluyor. Bu araştırmayla Stark, Pound'un polivokalizminin, dilin nüanslarına ve diyalektik ifadenin olanaklarına olan hayranlığından nasıl ortaya çıktığını ortaya koyuyor. Kitap, Pound'un ilk ayetinde lirizm ve müzikaliteyi izleyerek başlıyor ve bu unsurların radikal modernist tarzına nasıl dönüştüğünü gösteriyor. Stark, Pound'un şiirsel zanaatını, kullandığı yöntemlerin medial ve klasik yazarlarıyla olan ilişkisini araştırıyor ve Victoria ve Romantik seleflerinin pratiğine ve eleştirisine bakıyor.
Ezra Pound's Early Vere and Lyric Tradition: A Jargoner's Pendistry كتاب روبرت ستارك «Ezra Pound's Early Verse and Lyric Tradition: A JarG's Pendienditisitishe» يقدم تحليزًا شامًا شامًا لعزرا آية باوند المبكرة وتطورها إلى أسلوبه الحداثي الراديكالي. يدعي المؤلف أن باوند تعلم كتابة الشعر كما لو كان لغة أجنبية، باستخدام معجم وقواعد ومورفولوجيا فريدة. تأثرت هذه «المصطلحات» الشعرية بأصول القرون الوسطى والكلاسيكية لأساليبه، وممارسات وانتقادات أسلافه الفيكتوريين والرومانسيين. يستكشف ستارك تأثير الشعراء مثل فرانسوا فيلون وجويدو كافالكانتي وروبرت بيرنز وروبرت براوننج وألجرنون تشارلز سوينبرن ووالت ويتمان على أسلوب باوند الغنائي، مما يسلط الضوء على اهتمامه باللهجة والصفات الصوتية للغة. من خلال هذا البحث، يكشف ستارك كيف نشأت تعدد ثقافات باوند من افتتانه بالفروق الدقيقة في اللغة وإمكانيات التعبير الجدلي. يبدأ الكتاب بتتبع الغنائية والموسيقية في الآية المبكرة لباوند، مما يوضح كيف تطورت هذه العناصر إلى أسلوبه الحداثي الراديكالي. يضع ستارك حرفة باوند الشعرية في سياقها، ويستكشف علاقته بالمؤلفين الإنسيين والكلاسيكيين للأساليب التي استخدمها، وينظر في ممارسة وانتقاد أسلافه الفيكتوريين والرومانسيين المباشرين.
Ezra Pound의 Early Verse와 Lyric Tradition: Jargoner의 Pendistry Robert Stark의 저서 "Ezra Pound의 Early Verse and Lyric Tradition: A Jargoner's Penditionship" 은 Ezra Pound의 초기 구절과 근대주의 스타일. 저자는 파운드가 독특한 어휘, 문법 및 형태를 사용하여 외국어 인 것처럼시를 쓰는 법을 배웠다고 주장합니다. 이 시적 "전문 용어" 는 그의 방법의 중세적이고 고전적인 기원과 그의 빅토리아와 낭만적 인 전임자들의 관습과 비판에 영향을 받았다. Stark는 François Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne 및 Walt Whitman과 같은 시인의 영향을 파운드의 서정적 스타일로 탐구하여 방언과 언어의 음향 특성에 대한 관심을 강조합니다. 이 연구를 통해 스타크는 파운드의 다항식이 언어의 뉘앙스와 변증 법적 표현의 가능성에 매료되어 어떻게 생겼는지 밝힙니다. 이 책은 파운드의 초기 구절에서 가사와 음악을 추적하는 것으로 시작하여이 요소들이 어떻게 그의 근대 스타일로 진화했는지 보여줍니다. 스타크는 파운드의 시적 기술을 맥락화하여 자신이 사용한 방법의 중간 및 고전 작가와의 관계를 탐구하고 즉각적인 빅토리아와 낭만적 인 전임자의 실천과 비판을 살펴 봅니다.
Ezra Pound的Early Verse and Lyric Tradition: A Jargoner's Pendisticship Robert Stark的書「Ezra Pound的Early Verse and Lyric Tradition: A Jargoner's P」對埃茲拉·龐德(Ezra Pound)的早期詩歌及其對激進現代主義風格的演變進行了全面的分析。作者認為,龐德學會了使用獨特的詞典,語法和形態來寫詩,就好像它是外語一樣。這種詩意的「行話」受到其方法的中世紀和古典起源以及維多利亞時代和浪漫主義前輩的實踐和批評的影響。Stark探討了FrançoisVillon,Guido Cavalcanti,Robert Burns,Robert Browning,Algernon Charles Swinburn和Walt Whitman等詩人對龐德抒情風格的影響,強調了他對語言的方言和聲學品質的興趣。通過這項研究,斯塔克揭示了龐德對語言細微差別和辯證表達能力的迷戀是如何產生的。這本書首先追溯了龐德早期詩歌中的抒情和音樂性,展示了這些元素如何演變為激進的現代主義風格。斯塔克(Stark)將龐德(Pound)的詩歌手藝上下文化,探討了他對他所使用的方法的中世紀和古典作家的態度,並回顧了他直接的維多利亞時代和浪漫主義前輩的實踐和批評。

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The Vision in Job 4 and Its Role in the Book: Reframing the Development of the Joban Dialogues. Studies of the Sofja Kovalevskaja Research Group on Early … zum Alten Testament. 2. Reihe Book 75)
My God, my God why have you abandoned me: The experience of God|s withdrawal in late antique exegesis, Christology and ascetic literature (Studia … in Early and Medieval Theology, 43)