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The Rites of Identity: The Religious Naturalism and Cultural Criticism of Kenneth Burke and Ralph Ellison - Beth Eddy October 20, 2003 PDF  BOOKS
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The Rites of Identity: The Religious Naturalism and Cultural Criticism of Kenneth Burke and Ralph Ellison
Author: Beth Eddy
Year: October 20, 2003
Format: PDF
File size: PDF 628 KB
Language: English



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The Rites of Identity: The Religious Naturalism and Cultural Criticism of Kenneth Burke and Ralph Ellison Introduction: In "The Rites of Identity Beth Eddy presents a compelling argument that Kenneth Burke and Ralph Ellison, two of America's most influential writers, are firmly situated within the American tradition of religious naturalism. This tradition, which traces back to Ralph Waldo Emerson and received its most nuanced expression in the work of George Santayana, offers a highly useful means for considering contemporary identity and mitigating religious conflict. Through close readings of the essays and fiction of Burke and Ellison, Eddy shows the extent to which their cultural criticisms are intertwined. Both authors offer a naturalized understanding of piety, explore the psychological and social dynamics of scapegoating, and propose comic religious resources. Moreover, Eddy argues that the most socially damaging uses of religious language and ritual are connected to the best uses that such language has to offer, and she finds in Burke and Ellison ways to manage this precarious situation and to mitigate religious violence through wise use of performative symbolic action.
The Rites of Identity: The Religious Naturalism and Cultural Criticism of Kenneth Burke and Ralph Ellison Introduction: In «The Rites of Identity» Beth Eddy представляет убедительный аргумент в пользу того, что Кеннет Берк и Ральф Эллисон, два самых влиятельных писателя Америки, прочно вошли в американскую традицию религиозного натурализма. Эта традиция, восходящая к Ральфу Уолдо Эмерсону и получившая своё самое нюансированное выражение в творчестве Джорджа Сантаяны, предлагает весьма полезное средство для рассмотрения современной идентичности и смягчения религиозного конфликта. Через близкие прочтения эссе и вымысла Берка и Эллисона Эдди показывает, в какой степени переплетена их культурная критика. Оба автора предлагают натурализованное понимание благочестия, исследуют психологическую и социальную динамику отпущения и предлагают комические религиозные ресурсы. Более того, Эдди утверждает, что наиболее социально вредное использование религиозного языка и ритуала связано с наилучшим использованием, которое может предложить такой язык, и она находит в Берке и Эллисоне способы справиться с этой нестабильной ситуацией и смягчить религиозное насилие посредством разумного использования перформативных символических действий.
The Rites of Identity : The Religieux Naturalism and Cultural Criticism of Kenneth Burke and Ralph Ellison Introduction : In « The Rites of Identity » Beth Eddy présente un argument convaincant en faveur du fait que Kenneth Burke et Ralph Allison, les deux écrivains les plus influents d'Amérique, sont fermement entrés dans la tradition américaine du naturalisme religieux. Cette tradition, qui remonte à Ralph Waldo Emerson et a reçu son expression la plus nuancée dans l'œuvre de George Santayana, offre un moyen très utile de considérer l'identité moderne et d'atténuer le conflit religieux. À travers des lectures serrées de l'essai et de la fiction, Burke et Ellison Eddie montrent à quel point leurs critiques culturelles sont imbriquées. s deux auteurs offrent une compréhension naturalisée de la piété, explorent les dynamiques psychologiques et sociales de l'absolution et offrent des ressources religieuses comiques. En outre, Eddie affirme que l'utilisation la plus nocive de la langue et du rituel religieux est liée à la meilleure utilisation qu'une telle langue puisse offrir, et elle trouve dans Burke et Ellison des moyens de faire face à cette situation instable et d'atténuer la violence religieuse par l'utilisation intelligente d'actions symboliques performatives.
Rites de la Identidad: Naturalismo Religioso y el Criticismo Cultural de Kenneth Burke y Ralph Ellison Introducción: En « Rites de la Identidad» Beth Eddy presenta un argumento convincente para que Kenneth Burke y Ralph Allison, los dos escritores más influyentes de Estados Unidos, hayan entrado firmemente en la tradición estadounidense del naturalismo religioso. Esta tradición, que se remonta a Ralph Waldo Emerson y recibió su expresión más matizada en la obra de George Santayana, ofrece un medio muy útil para abordar la identidad contemporánea y mitigar el conflicto religioso. A través de lecturas cercanas del ensayo y la ficción de Burke y Ellison, Eddie muestra hasta qué punto su crítica cultural está entrelazada. Ambos autores proponen una comprensión naturalizada de la piedad, exploran las dinámicas psicológicas y sociales de la absolución y ofrecen recursos religiosos cómicos. Además, Eddie sostiene que el uso más perjudicial socialmente del lenguaje religioso y el ritual está relacionado con el mejor uso que tal lenguaje puede ofrecer, y encuentra en Burke y Ellison formas de hacer frente a esta situación inestable y mitigar la violencia religiosa mediante el uso inteligente de acciones simbólicas performativas.
The Rites of Identity: The Religious Naturalism and Cultural Criticismo of Kenneth Burke and Ralph Ellison Intrusion: In «The Rites of Identity», Beth Eddy apresenta um argumento convincente em favor da identidade que Kenneth Burke e Ralph Allison, dois dos escritores mais influentes da América, entraram fortemente na tradição americana do naturalismo religioso. Esta tradição, que remonta a Ralph Waldo Emerson e teve sua expressão mais nublada na obra de George Santaiana, oferece um meio muito útil para abordar a identidade moderna e atenuar o conflito religioso. Através de uma leitura íntima do ensaio e ficção de Burke e Allison, Eddie mostra até que ponto as suas críticas culturais estão entrelaçadas. Ambos os autores oferecem compreensão naturalizada da piedade, exploram a dinâmica psicológica e social expiatória e oferecem recursos religiosos comedidos. Além disso, Eddie afirma que o uso socialmente prejudicial da linguagem religiosa e do ritual tem a ver com o melhor uso que essa linguagem pode oferecer, e ela encontra em Burke e Ellison maneiras de lidar com esta situação instável e de atenuar a violência religiosa usando razoavelmente ações simbólicas.
The Rites of Identity: The Religious Naturalism and Culture Criticism of Kenneth Burke and Ralph Ellison Intruction: In «The Rites of Identity», Beth Eddy presenta un argomento convincente a favore di Beth Eddy che Kenneth Burke e Ralph Allison, i due scrittori più influenti d'America, sono entrati nella tradizione americana del naturalismo religioso. Questa tradizione, che risale a Ralph Waldo Emerson e ha avuto la sua espressione più nitida nell'opera di George Santayana, offre un mezzo molto utile per affrontare l'identità moderna e mitigare il conflitto religioso. Attraverso le letture ravvicinate del saggio e della finzione di Burke e Allison, Eddie mostra quanto sia intrecciata la loro critica culturale. Entrambi gli autori offrono una comprensione naturalizzata della pietà, esplorano le dinamiche psicologiche e sociali espiatorie e offrono risorse religiose comiche. Inoltre, Eddie sostiene che l'uso socialmente più dannoso della lingua religiosa e del rituale è legato all'uso migliore che tale lingua possa offrire, e trova in Burke e Ellison i modi per affrontare questa situazione instabile e mitigare la violenza religiosa attraverso un uso intelligente di azioni simboliche performative.
The Rites of Identity: The Religious Naturalism and Cultural Criticism of Kenneth Burke and Ralph Ellison Einleitung: In „The Rites of Identity“ liefert Beth Eddy ein überzeugendes Argument dafür, dass Kenneth Burke und Ralph Allison, zwei der einflussreichsten Schriftsteller Amerikas, sind fest in der amerikanischen Tradition des religiösen Naturalismus verankert. Diese Tradition, die auf Ralph Waldo Emerson zurückgeht und ihren nuanciertesten Ausdruck in George Santayanas Werk fand, bietet ein sehr nützliches Mittel, um moderne Identität zu betrachten und religiöse Konflikte zu mildern. Durch enge sungen des Essays und der Fiktion von Burke und Ellison zeigt Eddy, wie sehr ihre Kulturkritik miteinander verflochten ist. Beide Autoren bieten einen eingebürgerten Einblick in die Frömmigkeit, erforschen die psychologische und soziale Dynamik der Sündenböcke und bieten komische religiöse Ressourcen. Darüber hinaus argumentiert Eddy, dass der sozial schädlichste Gebrauch von religiöser Sprache und Ritual mit dem besten Gebrauch verbunden ist, den eine solche Sprache zu bieten hat, und sie findet in Burke und Ellison Wege, mit dieser instabilen tuation umzugehen und religiöse Gewalt durch den intelligenten Einsatz performativer symbolischer Handlungen zu mildern.
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Kimlik Ayinleri: Kenneth Burke ve Ralph Ellison'ın Dini Natüralizmi ve Kültürel Eleştirisi Giriş: "Kimlik Ayinleri'nde Beth Eddy, Amerika'nın en etkili yazarlarından ikisi olan Kenneth Burke ve Ralph Ellison'un Amerikan dini natüralizm geleneğine sıkı sıkıya bağlı olduğu konusunda zorlayıcı bir argüman sunuyor. Ralph Waldo Emerson'a dayanan ve George Santayana'nın çalışmalarında en nüanslı ifadesini kazanan bu gelenek, modern kimliği göz önünde bulundurmak ve dini çatışmayı hafifletmek için çok yararlı bir araç sunuyor. Burke ve Ellison'un denemelerini ve kurgularını yakından okuyan Eddy, kültürel eleştirilerinin ne ölçüde iç içe geçtiğini ortaya koyuyor. Her iki yazar da doğallaştırılmış bir dindarlık anlayışı sunuyor, günah keçisinin psikolojik ve sosyal dinamiklerini araştırıyor ve komik dini kaynaklar sunuyor. Dahası, Eddy, dini dilin ve ritüellerin sosyal olarak en zararlı kullanımının, bu dilin sunabileceği en iyi kullanımdan kaynaklandığını savunuyor ve Burke ve Ellison'da bu dengesiz durumla başa çıkmanın ve dini şiddeti azaltmanın yollarını buluyor.
طقوس الهوية: الطبيعة الدينية والنقد الثقافي لكينيث بيرك ورالف إليسون مقدمة: في «طقوس الهوية»، تقدم بيث إيدي حجة مقنعة مفادها أن كينيث بيرك ورالف إليسون، وهما من أكثر الطقوس الأمريكية الكتاب المؤثرين، متأصلين بقوة في التقاليد الأمريكية للطبيعة الدينية. هذا التقليد، الذي يعود تاريخه إلى رالف والدو إيمرسون واكتسب تعبيره الأكثر دقة في عمل جورج سانتايانا، يوفر أداة مفيدة للغاية للنظر في الهوية الحديثة والتخفيف من حدة الصراع الديني. من خلال قراءات قريبة لمقالات وخيال بيرك وإليسون، يكشف إيدي عن مدى تشابك نقدهما الثقافي. يقدم كلا المؤلفين فهمًا متجنسًا للتقوى، ويستكشفان الديناميكيات النفسية والاجتماعية لكبش الفداء، ويقدمان موارد دينية كوميدية. علاوة على ذلك، تجادل إيدي بأن الاستخدام الأكثر ضررًا اجتماعيًا للغة والطقوس الدينية يرجع إلى الاستخدام الأفضل الذي يمكن أن تقدمه هذه اللغة، ووجدت في بيرك وإليسون طرقًا للتعامل مع هذا الوضع غير المستقر والتخفيف من العنف الديني من خلال الاستخدام الحكيم للأداء. الأعمال الرمزية.

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