BOOKS - Passages in Modern Sculpture
Passages in Modern Sculpture - Rosalind E. Krauss September 30, 1977 PDF  BOOKS
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Passages in Modern Sculpture
Author: Rosalind E. Krauss
Year: September 30, 1977
Format: PDF
File size: PDF 33 MB
Language: English



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The Plot of Passages in Modern Sculpture As we delve into the realm of modern sculpture, we embark on a journey that spans centuries, exploring the evolution of technology and its impact on human society. The book "Passages in Modern Sculpture" takes us on this journey, examining the works of renowned sculptors from Rodin to the present day, highlighting their unique approaches to the medium and the progression of their ideas. We begin in the 19th century, where figurative sculpture was the dominant form of art. Artists like Rodin and his contemporaries created works that were meant to be appreciated for their beauty and technical skill. These artists were concerned with creating lifelike representations of the human form, often using traditional techniques and materials such as marble or bronze. Their works were meant to evoke emotion and inspire awe in the viewer. However, as we move through the 20th century, we see a shift towards more abstract and conceptual works. Artists began to experiment with new materials and techniques, pushing the boundaries of what was possible in sculpture.
Сюжет пассажей в современной скульптуре По мере того, как мы углубляемся в область современной скульптуры, мы отправляемся в путешествие, которое охватывает столетия, исследуя эволюцию технологий и их влияние на человеческое общество. Книга «Passages in Modern Sculpture» переносит нас в это путешествие, рассматривая работы известных скульпторов от Родена до наших дней, подчеркивая их уникальные подходы к медиуму и прогрессию их идей. Мы начинаем с XIX века, где фигуративная скульптура была доминирующей формой искусства. Художники, такие как Роден и его современники, создавали произведения, которые должны были быть оценены за их красоту и техническое мастерство. Эти художники занимались созданием реалистичных представлений человеческой формы, часто используя традиционные техники и материалы, такие как мрамор или бронза. Их работы призваны были вызвать эмоции и вызвать у зрителя трепет. Однако по мере продвижения через XX век мы видим сдвиг в сторону более абстрактных и концептуальных работ. Художники начали экспериментировать с новыми материалами и техниками, раздвигая границы возможного в скульптуре.
L'intrigue des passages dans la sculpture moderne Pendant que nous nous enfoncons dans le domaine de la sculpture moderne, nous nous embarquons dans un voyage qui couvre des siècles, explorant l'évolution de la technologie et son impact sur la société humaine. livre Passages dans la sculpture moderne nous emmène dans ce voyage en examinant les œuvres de sculpteurs célèbres de Rodin à nos jours, en soulignant leurs approches uniques du médium et de la progression de leurs idées. Nous commençons au XIXe siècle, où la sculpture figurative était la forme d'art dominante. Des artistes comme Rodin et ses contemporains ont créé des œuvres qui devaient être appréciées pour leur beauté et leur savoir-faire technique. Ces artistes ont créé des représentations réalistes de la forme humaine, souvent en utilisant des techniques et des matériaux traditionnels tels que le marbre ou le bronze. ur travail était destiné à susciter des émotions et à réveiller le spectateur. Cependant, à mesure que nous progressons à travers le XXe siècle, nous voyons un changement vers des œuvres plus abstraites et conceptuelles. s artistes ont commencé à expérimenter de nouveaux matériaux et techniques, repoussant les limites du possible dans la sculpture.
La trama de los pasajes en la escultura contemporánea A medida que profundizamos en el campo de la escultura moderna, emprendemos un viaje que abarca siglos, explorando la evolución de la tecnología y su impacto en la sociedad humana. libro «Pasajes in Modern Sculpture» nos transporta a este viaje repasando las obras de famosos escultores desde Rodin hasta la actualidad, destacando sus singulares aproximaciones al medio y la progresión de sus ideas. Partimos del siglo XIX, donde la escultura figurativa era la forma dominante del arte. Artistas como Rodin y sus contemporáneos crearon obras que debían ser apreciadas por su belleza y habilidad técnica. Estos artistas se dedicaban a crear representaciones realistas de la forma humana, a menudo utilizando técnicas y materiales tradicionales como el mármol o el bronce. Sus obras estaban diseñadas para despertar emociones y causar asombro en el espectador. n embargo, a medida que avanzamos a través del siglo XX, vemos un cambio hacia obras más abstractas y conceptuales. artistas comenzaron a experimentar con nuevos materiales y técnicas, desplazando los límites de lo posible en la escultura.
A história dos passageiros na escultura moderna À medida que nos aprofundamos para o campo da escultura contemporânea, embarcamos numa viagem que abrange séculos, explorando a evolução da tecnologia e seus efeitos na sociedade humana. O livro «Passages in Modern Sculptier» nos transporta para esta viagem, abordando o trabalho de escultores famosos desde Rodin até hoje, enfatizando suas abordagens únicas para a medium e a progressão de suas ideias. Começamos no século XIX, onde a escultura figurativa era a forma dominante da arte. Artistas como Rodin e seus contemporâneos criaram obras que deveriam ser apreciadas por sua beleza e habilidade técnica. Estes artistas se dedicaram a criar visões realistas da forma humana, muitas vezes usando técnicas e materiais tradicionais, como mármore ou bronze. O trabalho deles foi para provocar emoções e causar tremores no espectador. No entanto, enquanto avançamos através do século XX, vemos uma mudança para trabalhos mais abstratos e conceituais. Os artistas começaram a experimentar novos materiais e técnicas, descobrindo os limites do possível na escultura.
La trama dei passeggeri nella scultura moderna Mentre ci approfondiamo nel campo della scultura moderna, partiamo per un viaggio che copre secoli, esplorando l'evoluzione della tecnologia e il loro impatto sulla società umana. Il libro Passaggi in Modern Sculpture ci porta in questo viaggio, ripercorrendo le opere dei famosi scultori da Rodin a oggi, sottolineando i loro approcci unici alla medium e alla progressione delle loro idee. Cominciamo dal XIX secolo, dove la scultura figurativa era la forma dominante dell'arte. Artisti come Rodin e i suoi contemporanei crearono opere che dovevano essere apprezzate per la loro bellezza e abilità tecnica. Questi artisti si occupavano di creare concezioni realistiche della forma umana, spesso utilizzando tecniche e materiali tradizionali come marmo o bronzo. Il loro lavoro era destinato a suscitare emozioni e causare tremore nello spettatore. Tuttavia, mentre attraversiamo il XX secolo, vediamo un cambiamento verso lavori più astratti e concettuali. Gli artisti hanno iniziato a sperimentare nuovi materiali e tecniche, aprendo i limiti del possibile nella scultura.
Die Handlung der Passagen in der zeitgenössischen Skulptur Während wir tiefer in das Feld der zeitgenössischen Skulptur eintauchen, begeben wir uns auf eine Reise, die Jahrhunderte zurückreicht und die Entwicklung der Technologie und ihre Auswirkungen auf die menschliche Gesellschaft erforscht. Das Buch „Passages in Modern Sculpture“ nimmt uns mit auf diese Reise, indem es die Werke berühmter Bildhauer von Rodin bis heute untersucht und ihre einzigartigen Ansätze für das Medium und den Fortschritt ihrer Ideen hervorhebt. Wir beginnen im 19. Jahrhundert, wo figurative Skulptur die dominierende Kunstform war. Künstler wie Rodin und seine Zeitgenossen schufen Werke, die für ihre Schönheit und ihr technisches Können geschätzt werden sollten. Diese Künstler beschäftigten sich mit der Schaffung realistischer Darstellungen der menschlichen Form, oft mit traditionellen Techniken und Materialien wie Marmor oder Bronze. Ihre Arbeiten sollten Emotionen wecken und den Betrachter in Ehrfurcht versetzen. Im Laufe des 20. Jahrhunderts sehen wir jedoch eine Verschiebung hin zu abstrakteren und konzeptuelleren Werken. Die Künstler begannen, mit neuen Materialien und Techniken zu experimentieren und die Grenzen des Möglichen in der Skulptur zu verschieben.
Fabuła przejść we współczesnej rzeźbie Kiedy zagłębiamy się we współczesną rzeźbę, wyruszamy w podróż, która rozciąga się na wieki, badając ewolucję technologii i jej wpływ na społeczeństwo ludzkie. Książka „Fragmenty współczesnej rzeźby” zabiera nas w tę podróż, patrząc na pracę słynnych rzeźbiarzy z Rodina do dziś, podkreślając ich unikalne podejścia do medium i postęp ich idei. Zaczynamy w XIX wieku, gdzie rzeźba figuralna była dominującą formą sztuki. Artyści tacy jak Rodin i jego współcześni tworzyli dzieła, które miały być doceniane za ich piękno i techniczną prowess. Artyści ci byli zaangażowani w tworzenie realistycznych reprezentacji ludzkiej formy, często przy użyciu tradycyjnych technik i materiałów, takich jak marmur czy brąz. Ich dzieła zostały zaprojektowane, aby wywołać emocje i podziwiać widza. Kiedy jednak przechodzimy przez XX wiek, dostrzegamy przejście w kierunku bardziej abstrakcyjnych i koncepcyjnych dzieł. Artyści zaczęli eksperymentować z nowymi materiałami i technikami, forsując granice tego, co było możliwe w rzeźbie.
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The Plot of Passages in Modern Sculpture Modern heykel alanına girdikçe, teknolojinin evrimini ve insan toplumu üzerindeki etkisini araştırarak yüzyılları kapsayan bir yolculuğa çıkıyoruz. "Modern Heykelde Pasajlar" kitabı, Rodin'den günümüze ünlü heykeltıraşların çalışmalarına bakarak, onların ortama benzersiz yaklaşımlarını ve fikirlerinin ilerleyişini vurgulayarak bizi bu yolculuğa çıkarıyor. Figüratif heykelin baskın sanat formu olduğu 19. yüzyılda başlıyoruz. Rodin ve çağdaşları gibi sanatçılar, güzellikleri ve teknik yetenekleri için takdir edilecek eserler üretti. Bu sanatçılar, genellikle mermer veya bronz gibi geleneksel teknikler ve malzemeler kullanarak insan formunun gerçekçi temsillerini yaratmakla uğraştılar. Eserleri duyguları uyandırmak ve izleyiciyi uyandırmak için tasarlandı. Ancak, 20. yüzyılda ilerledikçe, daha soyut ve kavramsal çalışmalara doğru bir kayma görüyoruz. Sanatçılar, heykelde mümkün olanın sınırlarını zorlayarak yeni malzemeler ve teknikler denemeye başladılar.
حبكة المقاطع في النحت الحديث بينما نتعمق في مجال النحت الحديث، نشرع في رحلة تمتد لقرون، لاستكشاف تطور التكنولوجيا وتأثيرها على المجتمع البشري. يأخذنا كتاب «مقاطع في النحت الحديث» في هذه الرحلة، وينظر إلى أعمال النحاتين المشهورين من رودين حتى يومنا هذا، ويسلط الضوء على مناهجهم الفريدة تجاه الوسيلة وتطور أفكارهم. نبدأ في القرن التاسع عشر، حيث كان النحت التصويري هو الشكل الفني السائد. أنتج فنانون مثل رودين ومعاصريه أعمالًا يجب تقديرها لجمالها وبراعتها الفنية. شارك هؤلاء الفنانون في إنشاء تمثيلات واقعية للشكل البشري، غالبًا باستخدام التقنيات والمواد التقليدية مثل الرخام أو البرونز. تم تصميم أعمالهم لإثارة المشاعر ورهبة المشاهد. ومع ذلك، بينما نتحرك خلال القرن العشرين، نرى تحولًا نحو أعمال أكثر تجريدًا ومفاهيم. بدأ الفنانون في تجربة مواد وتقنيات جديدة، ودفعوا حدود ما هو ممكن في النحت.
現代雕塑中的段落情節隨著我們深入現代雕塑領域,我們將踏上跨越幾個世紀的旅程,探索技術的演變及其對人類社會的影響。《現代雕塑中的通道》一書帶我們進入了這一旅程,回顧了從羅丹到今天的著名雕塑家的作品,強調了他們獨特的媒介方法和思想的進步。我們從19世紀開始,那裏的具象雕塑是主要的藝術形式。像羅丹和他的同時代人這樣的藝術家創作的作品因其美麗和技術技巧而受到贊譽。這些藝術家經常使用傳統技術和材料(例如大理石或青銅)來創作逼真的人類形式。他們的作品旨在喚起情感並引起觀眾的敬畏。但是,隨著我們進入20世紀,我們看到了向更抽象和概念性作品的轉變。藝術家開始嘗試新的材料和技術,從而突破了雕塑中可能的界限。

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