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Hollywood and the Movies of the Fifties: The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher - Television - Foster Hirsch October 10, 2023 PDF  BOOKS
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Hollywood and the Movies of the Fifties: The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher - Television
Author: Foster Hirsch
Year: October 10, 2023
Format: PDF
File size: PDF 91 MB
Language: English



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Hollywood and the Movies of the Fifties: The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher Television In the 1950s, Hollywood experienced a tumultuous decade that saw the demise of the studio system, the rise of new technologies, and the emergence of a new generation of rebellious filmmakers who challenged the status quo. This period was marked by the boom of post-World War II years, the Cold War, and the atomic age, and the movies of the time reflected the seismic shifts in society. The decade began with the epic films of Cinerama and CinemaScope, but ended with the implosion of the studios, the end of the production code, and the invasion of the ultimate body snatcher - television. The 1950s were a time of great change and upheaval in America, as Eisenhower's America seemed complacent and conformity-ridden on the surface, but beneath the facade, there was a growing sense of discontent and anxiety.
Hollywood and the Movies of the Fifties: The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher Television В 1950-х годах, Голливуд пережил бурное десятилетие, на которое пришлась кончина студийной системы, подъем новых технологий, и появление нового поколения бунтующих кинематографистов, бросивших вызов статус-кво. Этот период был отмечен бумом послевоенных лет, холодной войной и атомным веком, а фильмы того времени отражали сейсмические сдвиги в обществе. Десятилетие началось с эпических фильмов Cinerama и CinemaScope, но закончилось имплозией студий, концом производственного кода и вторжением конечного похитителя тел - телевидения. 1950-е годы были временем больших перемен и потрясений в Америке, поскольку Америка Эйзенхауэра казалась благодушной и обремененной соответствием на поверхности, но под фасадом росло чувство недовольства и беспокойства.
Hollywood and the Movies of the Fifties : The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher Television Dans les années 1950, Hollywood a connu une décennie agitée la disparition du système de studio, la montée en puissance des nouvelles technologies et l'émergence d'une nouvelle génération de cinéastes rebelles qui contestaient le statu quo. Cette période a été marquée par le boom des années d'après-guerre, la guerre froide et l'âge atomique, et les films de l'époque reflètent les changements sismiques dans la société. La décennie a commencé avec les films épiques Cinerama et CinemaScope, mais s'est terminée avec l'implosion des studios, la fin du code de production et l'invasion du voleur final des corps - la télévision. s années 1950 ont été une époque de grands changements et de bouleversements en Amérique, parce que l'Amérique d'Eisenhower semblait complaisante et accablée par la conformité à la surface, mais le sentiment de mécontentement et d'inquiétude grandissait sous la façade.
Hollywood and the Movies of the Fifties: The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher Television En la década de 1950, Hollywood sobrevivió a una década turbulenta en la que se produjo la desaparición del sistema de estudios, el auge de las nuevas tecnologías, y el surgimiento de una nueva generación de cineastas rebeldes que desafiaron el statu quo Este período estuvo marcado por el auge de los de la posguerra, la guerra fría y la era atómica, y las películas de la época reflejaron cambios sísmicos en la sociedad. La década comenzó con películas épicas de Cinerama y CinemaScope, pero terminó con la implosión de los estudios, el fin del código de producción y la invasión del secuestrador final de cuerpos - televisión. La década de 1950 fue una época de grandes cambios y turbulencias en América, ya que la América de Eisenhower parecía complaciente y agobiada por la conformidad en la superficie, pero una sensación de descontento y preocupación creció bajo la fachada.
Hollywood and the Movies of the Fifties: The Collapse of the Studio System, the Thrill of Cinerama, and the Investion of the Ultimate Body Snatcher Television na década de 1950, Hollywood viveu uma década turbulenta que teve a morte de um sistema de estúdio a ascensão das novas tecnologias, e o surgimento de uma nova geração de cineastas rebeldes que desafiam o status quo. Este período foi marcado pelo boom do pós-guerra, pela Guerra Fria e pela Era Atômica, e os filmes da época refletiram as mudanças sísmicas na sociedade. A década começou com os filmes épicos Cinerama e CinemaScope, mas terminou com a implosão dos estúdios, o fim do código de produção e a invasão do último sequestrador de corpos, a televisão. Os anos 1950 foram uma época de grandes mudanças e turbulências na América, porque a América de Eisenhower parecia grátis e carregada de conformidade na superfície, mas havia um sentimento crescente de descontentamento e preocupação sob a fachada.
Hollywood und die Filme der Fünfziger: Die Kollapse des Studiosystems, der Thrill von Cinerama und die Invasion des Ultimate Body Snatcher Television In den 1950er Jahren erlebte Hollywood ein turbulentes Jahrzehnt, das den Niedergang des Studiosystems, den Aufstieg neuer Technologie und die Entstehung einer neuen Generation rebellischer Filmemacher, die den Status quo in Frage gestellt haben. Diese Zeit war geprägt von dem Boom der Nachkriegsjahre, dem Kalten Krieg und dem Atomzeitalter, und die Filme jener Zeit spiegelten die seismischen Veränderungen in der Gesellschaft wider. Das Jahrzehnt begann mit den epischen Filmen Cinerama und CinemaScope, endete aber mit der Implosion der Studios, dem Ende des Produktionscodes und der Invasion des ultimativen Körperdiebstahls - des Fernsehens. Die 1950er Jahre waren eine Zeit großer Veränderungen und Umwälzungen in Amerika, da Eisenhowers Amerika an der Oberfläche selbstgefällig und mit Konformität belastet schien, aber unter der Fassade wuchs ein Gefühl der Unzufriedenheit und Sorge.
הוליווד וסרטי שנות החמישים: קריסת מערכת האולפנים, הריגוש של סינרמה, והפלישה לטלוויזיה חוטפת הגוף האולטימטיבית בשנות החמישים, הוליווד חוותה עשור סוער שראה את מותו של מערכת האולפן, עלייתה של הטכנולוגיה החדשה, והופעתו של דור חדש של יוצרי סרטים מרדניים שקראו תיגר על הסטטוס קוו. תקופה זו סומנה על ידי הבום של השנים שלאחר המלחמה, המלחמה הקרה והעידן האטומי, והסרטים של אותה תקופה שיקפו שינויים סייסמיים בחברה. העשור החל בסרטים האפים סינרמה ו CinemaScope, אך הסתיים עם קריסת האולפנים, סיום קוד ההפקה ופלישת גנב הגוף האולטימטיבי - הטלוויזיה. שנות ה-50 היו תקופה של שינוי גדול ותהפוכות באמריקה, כשאמריקה של אייזנהאואר נראתה שאננה ועמוסה בקונפורמיות על פני השטח,''
Hollywood ve Ellili Yılların Filmleri: Stüdyo steminin Çöküşü Cinerama'nın Heyecanı ve Nihai Vücut Kapan Televizyonunun İstilası 1950'lerde Hollywood, stüdyo sisteminin çöküşünü gören çalkantılı bir on yıl yaşadı. Yeni teknolojinin yükselişi ve statükoya meydan okuyan yeni nesil isyankar film yapımcılarının ortaya çıkışı. Bu dönem, savaş sonrası yılların, Soğuk Savaş ve Atom Çağı'nın patlamasıyla damgasını vurdu ve o zamanın filmleri toplumdaki sismik değişimleri yansıttı. On yıl, destansı Cinerama ve CinemaScope filmleriyle başladı, ancak stüdyoların patlamasıyla, üretim kodunun sona ermesiyle ve nihai vücut hırsızının - televizyonun işgaliyle sona erdi. 1950'ler Amerika'da büyük bir değişim ve kargaşa zamanıydı, çünkü Eisenhower'ın Amerikası kayıtsız ve yüzeyde uygunlukla yüklü görünüyordu, ancak cephenin altında artan bir hoşnutsuzluk ve endişe duygusu vardı.
هوليوود وأفلام الخمسينيات: انهيار نظام الاستوديو، إثارة سينيراما، وغزو تلفزيون Ultimate Body Snatcher Television في الخمسينيات من القرن الماضي، شهدت هوليوود عقدًا مضطربًا شهد زوال نظام الاستوديو، ظهور التكنولوجيا الجديدة، وظهور جيل جديد من صانعي الأفلام المتمردين الذين تحدوا الوضع الراهن. تميزت هذه الفترة بازدهار سنوات ما بعد الحرب والحرب الباردة والعصر الذري، وعكست أفلام ذلك الوقت التحولات الزلزالية في المجتمع. بدأ العقد بالأفلام الملحمية Cinerama و CinemaScope، لكنه انتهى بانهيار الاستوديوهات ونهاية رمز الإنتاج وغزو لص الجسد النهائي - التلفزيون. كانت الخمسينيات من القرن الماضي فترة تغير كبير واضطراب في أمريكا، حيث بدت أمريكا في عهد أيزنهاور راضية ومثقلة بالامتثال على السطح، ولكن تحت الواجهة كان هناك شعور متزايد بالاستياء والقلق.
할리우드와 50 년대 영화: 스튜디오 시스템의 붕괴, 1950 년대 Cinerama의 스릴과 Ultimate Body Snatcher Television의 침공 할리우드는 10 년 동안 스튜디오 시스템의 종말을 목격했습니다. 새로운 기술의 부상과 현 상태에 도전 한 새로운 세대의 반항적 인 영화 제작자의 출현. 이시기는 전후 시대의 호황, 냉전과 원자 시대에 의해 두드러졌으며 당시의 영화는 사회의 지진 변화를 반영했습니다. 10 년은 서사시 영화 Cinerama와 CinemaScope로 시작되었지만 스튜디오의 파열, 제작 코드의 끝 및 궁극적 인 신체 도둑-텔레비전의 침공으로 끝났습니다. 1950 년대는 미국에서 큰 변화와 격변의시기였습니다. 아이젠 하워의 미국은 표면에 적합하고 부담이있는 것처럼 보였지만 외관 아래에는 불만과 불안감이 커졌습니다.
好萊塢和五十代電影:工作室系統的碰撞,Cinerama的驚悚片和Ultimate Body Snatcher電視臺的入侵在1950代,好萊塢經歷了動蕩的十。制片廠系統,新技術的興起,以及新一代反叛電影制片人的出現,他們挑戰了現狀。這一時期的標誌是戰後時代的繁榮,冷戰和原子時代,當時的電影反映了社會的地震變化。十始於Cinerama和CinemaScope的史詩電影,但以制片廠的內爆,生產代碼的結束以及最終的身體綁架者-電視的入侵而告終。1950代是美國發生巨大變化和動蕩的時期,因為艾森豪威爾(Eisenhower)的美國似乎沾沾自喜,表面上充滿了合規性,但在立面下卻產生了不滿和不安感。

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