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Existentialism and Contemporary Cinema: A Sartrean Perspective (Berghahnonfilm) - Jean-Pierre Boule October 13, 2007 PDF  BOOKS
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Existentialism and Contemporary Cinema: A Sartrean Perspective (Berghahnonfilm)
Author: Jean-Pierre Boule
Year: October 13, 2007
Format: PDF
File size: PDF 572 KB
Language: English



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Book Description: Existentialism and Contemporary Cinema: A Sartrean Perspective Publisher: Berghahn Books Publication Date: March 20, 2018 Pages: 256 Format: Paperback Dimensions: 6 x 9 inches ISBN-13: 978-17853627205 Subject: Philosophy, Film Studies, Existentialism Description: At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s particularly in France, is still relevant today as a way of interpreting the world through film. Reflecting philosophical concerns in the actions and choices of characters, the book continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors explore the rich interplay between Sartre's philosophy, plays, and novels, and a number of contemporary films, including No Country for Old Men, Lost in Translation, and The Truman Show, with filmmakers such as the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students coming to Sartre's work for the first time and those who would like to read films within an existentialist perspective.
Экзистенциализм и современное кино: Перспективный издатель Sartrean: Berghahn Books Дата публикации: 20 марта 2018 г. Страницы: 256 Формат: Размеры в мягкой обложке: 6 x 9 дюймов ISBN-13: 978-17853627205 Предмет: философия, киноведение, экзистенциализм Описание: В основе этого тома лежит утверждение, что сартреанский экзистенциализм, наиболее заметный в 1940-х годах, особенно во Франции, по-прежнему актуален сегодня как способ интерпретации мира через фильм. Отражая философские заботы в действиях и выборе персонажей, книга продолжает и расширяет традицию, в которой искусство иллюстрирует понимание экзистенциалистской философии. В научном, но доступном стиле авторы исследуют богатое взаимодействие между философией Сартра, пьесами и романами, а также рядом современных фильмов, включая «Старикам тут не место», «Затерянные в переводе» и «Шоу Трумэна», с такими кинематографистами, как братья Дарденн, Михаэль Ханеке и Майк Ли. Этот том будет интересен студентам, впервые приходящим на работу Сартра, и тем, кто хотел бы читать фильмы в экзистенциалистской перспективе.
Existentialisme et cinéma contemporain : L'éditeur prometteur Sartrean : Berghahn Books Date de publication : 20 mars 2018 Pages : 256 Format : Dimensions en couverture douce : 6 x 9 pouces ISBN-13 : 978-17853627205 Objet : philosophie, éducation cinématographique, existentialisme Description : Au cœur de ce volume se trouve l'affirmation que l'existentialisme sartréen, le plus visible dans les années 1940, en particulier en France, est encore aujourd'hui une façon d'interpréter le monde à travers le film. Reflétant les préoccupations philosophiques dans les actions et le choix des personnages, le livre poursuit et élargit une tradition dans laquelle l'art illustre la compréhension de la philosophie existentialiste. Dans un style scientifique mais accessible, les auteurs explorent la riche interaction entre la philosophie de Sartre, les pièces et les romans, ainsi qu'un certain nombre de films modernes, y compris « s vieux ne sont pas là », « Perdu dans la traduction » et « Truman Show », avec des cinéastes comme les frères Dardenne, Michael Haneke et Mike e. Ce volume intéressera les étudiants qui viennent pour la première fois au travail de Sartre et ceux qui voudraient lire des films dans une perspective existentialiste.
Existencialismo y cine contemporáneo: Prospective Publisher Sartrean: Berghahn Books Fecha de publicación: 20 de marzo de 2018 Páginas: 256 Formato: Dimensiones en tapa suave: 6 x 9 pulgadas ISBN-13: 978-17853627205 Tema: filosofía, ciencia del cine, existencialismo Descripción: Este volumen se basa en la afirmación de que el existencialismo sartreano, el más destacado en la década de 1940, especialmente en Francia, sigue siendo relevante en la actualidad como forma de interpretar el mundo a través de la película. Reflejando las preocupaciones filosóficas en la acción y elección de los personajes, el libro continúa y amplía una tradición en la que el arte ilustra la comprensión de la filosofía existencialista. En un estilo científico pero accesible, los autores exploran la rica interacción entre la filosofía de Sartre, las obras de teatro y las novelas, así como una serie de películas contemporáneas, entre ellas « viejos no tienen lugar aquí», «Perdidos en la traducción» y «espectáculo de Truman», con cineastas como los hermanos Dardenne, Michael Haneke y Mike e. Este volumen será interesante para los estudiantes que vienen por primera vez al trabajo de Sartre y para aquellos que les gustaría leer películas desde una perspectiva existencialista.
Existenzialismus und zeitgenössisches Kino: Sartrean: Berghahn Verlag Erscheinungsdatum: 20. März 2018 Seiten: 256 Format: Taschenbuchgrößen: 6 x 9 Zoll ISBN-13: 978-17853627205 Thema: Philosophie, Filmwissenschaft, Existenzialismus Beschreibung: Im Zentrum dieses Bandes steht die Behauptung, dass der sartreanische Existenzialismus, der in den 1940er Jahren vor allem in Frankreich am sichtbarsten war, auch heute noch als Art der Interpretation der Welt durch den Film relevant ist. Das Buch spiegelt philosophische Anliegen in Handlungen und der Auswahl von Charakteren wider und setzt eine Tradition fort und erweitert sie, in der Kunst das Verständnis existentialistischer Philosophie veranschaulicht. In einem wissenschaftlichen, aber zugänglichen Stil untersuchen die Autoren das reiche Zusammenspiel zwischen Sartres Philosophie, Theaterstücken und Romanen sowie einer Reihe zeitgenössischer Filme, darunter „Hier gibt es keinen Platz für alte Menschen“, „t in Translation“ und „The Truman Show“, mit Filmemachern wie den Dardenne-Brüdern, Michael Haneke und Mike e. Dieser Band wird für Studenten interessant sein, die zum ersten Mal zu Sartres Arbeit kommen, und für diejenigen, die Filme in einer existentialistischen Perspektive lesen möchten.
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Varoluşçuluk ve Çağdaş nema: Muhtemel Yayıncı Sartrean: Berghahn Books Yayın Tarihi: 20 Mart 2018 Sayfalar: 256 Biçim: Ciltsiz Boyutlar: 6 x 9 inç ISBN-13: 978-17853627205 Konu: Felsefe, Film Çalışmaları, Varoluşçuluk Açıklama: Bu cildin kalbinde, 1940'larda, özellikle Fransa'da öne çıkan Sartre varoluşçuluğunun, dünyayı film yoluyla yorumlamanın bir yolu olarak bugün hala geçerli olduğu iddiası vardır. Felsefi kaygıları eylemlere ve karakter seçimlerine yansıtan kitap, sanatın varoluşçu felsefe anlayışını gösterdiği bir geleneği sürdürür ve genişletir. Bilimsel ama erişilebilir bir tarzda, yazarlar Sartre'ın felsefesi, oyunları ve romanları ile Dardenne kardeşler, Michael Haneke ve Mike e gibi film yapımcılarıyla "Old Men Don't Belong Here", "t in Translation've" The Truman Show'gibi bir dizi çağdaş film arasındaki zengin etkileşimi araştırıyorlar. Bu cilt, Sartre'ın yapıtına ilk kez gelen öğrencilerin ve filmleri varoluşçu bir perspektifle okumak isteyenlerin ilgisini çekecektir.
الوجودية والسينما المعاصرة: الناشر المحتمل Sartrean: Berghahn Books تاريخ النشر: 20 مارس 2018 الصفحات: 256 التنسيق: أبعاد الغلاف الورقي: 6 × 9 بوصات ISBN-13: 978-17853627205 الموضوع: الفلسفة، دراسات الأفلام، الوصف الوجودي: في صميم هذا المجلد هو الادعاء بأن الوجودية السارترية، الأبرز في الأربعينيات، وخاصة في فرنسا، لا تزال ذات صلة حتى اليوم كوسيلة لتفسير العالم من خلال الفيلم. يعكس الكتاب الاهتمامات الفلسفية في الأفعال واختيارات الشخصية، ويستمر ويوسع تقليدًا يوضح فيه الفن فهمًا للفلسفة الوجودية. بأسلوب علمي ولكن يسهل الوصول إليه، يستكشف المؤلفون التفاعل الغني بين فلسفة سارتر ومسرحياته ورواياته وعدد من الأفلام المعاصرة، بما في ذلك «كبار السن لا ينتمون إلى هنا» و «ضائع في الترجمة» و «عرض ترومان» مع صانعي الأفلام مثل الأخوين داردين، مايكل هانيكي ومايك لي. سيكون هذا المجلد موضع اهتمام الطلاب القادمين إلى عمل سارتر لأول مرة وأولئك الذين يرغبون في قراءة الأفلام من منظور وجودي.

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