BOOKS - Double Indemnity (BFI Film Classics)
Double Indemnity (BFI Film Classics) - Richard Schickel October 27, 1992 PDF  BOOKS
ECO~27 kg CO²

3 TON

Views
29427

Telegram
 
Double Indemnity (BFI Film Classics)
Author: Richard Schickel
Year: October 27, 1992
Format: PDF
File size: PDF 35 MB
Language: English



Pay with Telegram STARS
It explores the themes of gender, sexuality, and power relations within the film's narrative. Double Indemnity: A Study of Film Noir's Most Iconic Thriller = Introduction Double Indemnity, directed by Billy Wilder in 19447, is a quintessential film noir that has captivated audiences for decades with its intricate plot, stylish visuals, and memorable performances. The film tells the story of an insurance salesman, Walter Neff (played by Fred MacMurray), who falls for a seductive and dangerous Phyllis Dietrichson (Barbara Stanwyck) and becomes embroiled in a murder scheme that spirals out of control. As we delve into the film's themes and significance, it becomes clear why Double Indemnity remains a timeless classic of the genre. Gender and Sexuality At its core, Double Indemnity is a tale of gender and sexuality, with Phyllis Dietrichson as the embodiment of femininity and Walter Neff as the male protagonist. Their relationship is defined by power dynamics, with Phyllis manipulating Walter to achieve her own ends. This theme is reinforced by the film's visual style, which often frames Phyllis as the object of desire, emphasizing her physical allure and sexual power.
Он исследует темы пола, сексуальности и властных отношений в повествовании фильма. «Двойная контрибуция: Исследование самого культового триллера фильма нуар = Введение Двойная контрибуция», снятый Билли Уайлдером в 19447 году, - квинтэссенция фильма нуар, который десятилетиями покорял зрителей замысловатым сюжетом, стильными визуальными эффектами, запоминающимися выступлениями. Фильм рассказывает о страховом продавце Уолтере Неффе (роль исполняет Фред Макмюррей), который влюбляется в соблазнительную и опасную Филлис Дитрихсон (Барбара Стэнвик) и оказывается втянутым в схему убийства, которая выходит из-под контроля. По мере того, как мы углубляемся в темы и значение фильма, становится понятно, почему Double Indemnity остается вневременной классикой жанра. Гендер и сексуальность В своей основе Double Indemnity - это рассказ о гендере и сексуальности, с Филлис Дитрихсон в качестве воплощения женственности и Уолтером Неффом в качестве главного героя мужского пола. Их отношения определяются динамикой власти, а Филлис манипулирует Уолтером, чтобы достичь своих собственных целей. Эта тема усиливается визуальным стилем фильма, который часто обрамляет Филлис как объект желания, подчеркивая её физическую привлекательность и сексуальную силу.
Il explore les thèmes du genre, de la sexualité et des relations de pouvoir dans la narration du film. « Double contraction : Étude du thriller le plus culte du film noir = Introduction Double contraction », réalisé par Billy Wilder en 19447, est la quintessence du film noir, qui a conquis le public pendant des décennies avec une histoire complexe, des effets visuels élégants et des performances mémorables. film parle du vendeur d'assurance Walter Neff (joué par Fred McMurray), qui tombe amoureux de la séduisante et dangereuse Phyllis Dietrichson (Barbara Stanwick) et se retrouve entraîné dans un plan de meurtre qui est hors de contrôle. Au fur et à mesure que nous nous penchons sur les thèmes et le sens du film, nous comprenons pourquoi Double Indemnity reste un classique intemporel du genre. Genre et sexualité Dans ses fondements, Double Indemnity est un récit sur le genre et la sexualité, avec Phyllis Dietrichson comme incarnation de la féminité et Walter Neff comme protagoniste masculine. ur relation est déterminée par la dynamique du pouvoir, et Phyllis manipule Walter pour atteindre ses propres objectifs. Ce thème est renforcé par le style visuel du film, qui encadre souvent Phyllis comme un objet de désir, soulignant son attrait physique et sa force sexuelle.
Explora temas de género, sexualidad y relaciones de poder en la narración de la película. «Doble compensación: explorando el thriller más icónico de la película noir = Introducción Doble compensación», dirigida por Billy Wilder en 19447, es la quintaesencia de la película noir, que durante décadas conquistó al público con una trama intrincada, elegantes efectos visuales, actuaciones memorables. La película cuenta la historia del vendedor de seguros Walter Neff (interpretado por Fred McMurray), quien se enamora del seductor y peligroso Phyllis Dietrichson (Barbara Stanwick) y se encuentra envuelto en un esquema de asesinato que está fuera de control. A medida que profundizamos en los temas y el significado de la película, se hace evidente por qué Double Indemnity sigue siendo un clásico atemporal del género. Género y sexualidad En su base Double Indemnity es una historia sobre género y sexualidad, con Phyllis Dietrichson como encarnación de la feminidad y Walter Neff como protagonista masculino. Su relación está determinada por la dinámica del poder, y Phyllis manipula a Walter para lograr sus propios objetivos. Este tema se ve reforzado por el estilo visual de la película, que a menudo enmarca a Phyllis como un objeto de deseo, destacando su atractivo físico y su poder sexual.
Esplora i temi del sesso, della sessualità e delle relazioni di potere nella narrazione del film. «Doppio contrattacco: L'esplorazione del thriller più cult del film noir = Introduzione doppia contrapposizione», realizzato da Billy Wilder nel 19447, è la quintessenza di un film noir che ha conquistato il pubblico per decenni con una storia complessa, effetti visivi eleganti, esibizioni memorabili. Il film parla di un venditore di assicurazioni, Walter Neff (interpretato da Fred McMurray), che si innamora della seducente e pericolosa Phyllis Dietrichson (Barbara Stanwick) e si ritrova coinvolto in uno schema di omicidio fuori controllo. Mentre approfondiamo i temi e il significato del film, si capisce perché il Doppio Indemnity rimane un classico del genere in ritardo. Gender e sessualità Nella sua base, il Doppio Indemnity è un racconto di genere e sessualità, con Phyllis Dietrichson come incarnazione della femminilità e Walter Neff come protagonista maschile. La loro relazione è determinata dalla dinamica del potere, e Phyllis sta manipolando Walter per raggiungere i suoi obiettivi. Questo tema è amplificato dallo stile visivo del film, che spesso incorna Phyllis come oggetto del desiderio, sottolineando il suo fascino fisico e la sua forza sessuale.
Er erforscht die Themen Geschlecht, Sexualität und Machtverhältnisse in der Erzählung des Films. „Double Contribution: Exploring the Most Cult Thriller of Film Noir = Introduction Double Contribution“, inszeniert von Billy Wilder im Jahr 19447, ist die Quintessenz des Films Noir, der das Publikum seit Jahrzehnten mit einer komplizierten Handlung, stilvollen Visuals, denkwürdigen Performances in seinen Bann zieht. Der Film folgt dem Versicherungsverkäufer Walter Neff (gespielt von Fred McMurray), der sich in die verführerische und gefährliche Phyllis Dietrichson (Barbara Stanwyck) verliebt und in ein Mordmuster verwickelt wird, das außer Kontrolle gerät. Während wir tiefer in die Themen und die Bedeutung des Films eintauchen, wird deutlich, warum Double Indemnity ein zeitloser Klassiker des Genres bleibt. Gender und Sexualität Im Kern ist Double Indemnity eine Geschichte über Gender und Sexualität, mit Phyllis Dietrichson als Verkörperung der Weiblichkeit und Walter Neff als männlichen Protagonisten. Ihre Beziehung wird durch die Dynamik der Macht bestimmt, und Phyllis manipuliert Walter, um ihre eigenen Ziele zu erreichen. Dieses Thema wird durch den visuellen Stil des Films verstärkt, der Phyllis oft als Objekt der Begierde umrahmt und ihre körperliche Attraktivität und sexuelle Stärke betont.
''
Filmin anlatımında cinsiyet, cinsellik ve güç ilişkileri temalarını araştırıyor. Billy Wilder'ın 19447'de yönettiği "Double Indemnity: An Exploration of Film Noir's Most Iconic Thriller = Introduction Double Indemnity" (Çifte Tazminat: Film Noir'ın En İkonik Geriliminin Bir Keşfi = Giriş İkili Tazminat), karmaşık olay örgüsü, şık görselleri ve unutulmaz performanslarıyla onlarca yıldır izleyicileri büyüleyen özlü bir kara film. Film, baştan çıkarıcı ve tehlikeli Phyllis Dietrichson'a (Barbara Stanwyck) aşık olan ve kontrolden çıkan bir cinayet planına karışan sigorta satıcısı Walter Neff'i (Fred McMurray) takip ediyor. Filmin temalarını ve anlamını araştırdıkça, Double Indemnity'nin neden türün zamansız bir klasiği olarak kaldığı anlaşılıyor. Cinsiyet ve cinsellik Özünde, Double Indemnity, Phyllis Dietrichson'un kadınlığın özeti ve Walter Neff'in erkek kahramanı olduğu bir cinsiyet ve cinsellik hikayesidir. İlişkileri güç dinamikleri ile tanımlanır, Phyllis Walter'ı kendi hedeflerine ulaşmak için manipüle eder. Bu tema, genellikle Phyllis'i bir arzu nesnesi olarak çerçeveleyen, fiziksel çekiciliğini ve cinsel gücünü vurgulayan filmin görsel stili ile pekiştirilir.
يستكشف موضوعات الجنس والجنس وعلاقات القوة في سرد الفيلم. «التعويض المزدوج: استكشاف فيلم نوير الإثارة الأكثر شهرة = مقدمة التعويض المزدوج»، من إخراج بيلي وايلدر في عام 19447، هو الفيلم المثالي الذي أسر الجماهير لعقود من خلال حبكة معقدة ومرئيات أنيقة وأداء لا يُنسى. يتبع الفيلم بائع التأمين والتر نيف (الذي يلعبه فريد ماكموري)، الذي يقع في حب فيليس ديتريشسون المغرية والخطيرة (باربرا ستانويك) ويتورط في مخطط قتل يخرج عن نطاق السيطرة. بينما نتعمق في موضوعات الفيلم ومعناه، يتضح سبب بقاء Double Indemnity كلاسيكيًا خالدًا من هذا النوع. الجنس والجنس في جوهرها، Double Indemnity هي قصة عن الجنس والجنس، مع Phyllis Dietrichson كمثال للأنوثة و Walter Neff كبطل ذكر. يتم تحديد علاقتهما من خلال ديناميكيات القوة، حيث يتلاعب فيليس بالتر لتحقيق أهدافه الخاصة. يتم تعزيز هذا الموضوع من خلال الأسلوب المرئي للفيلم، والذي غالبًا ما يؤطر فيليس كموضوع للرغبة، مما يؤكد جاذبيتها الجسدية وقوتها الجنسية.

You may also be interested in:

The Double View (Herodias Classics)
Appropriate Behavior (Volume 4) (Queer Film Classics)
Total Film Cult Classics - Second Edition, 2022
John Gilbert: The Last of the Silent Film Stars (Screen Classics)
The Black Hole,This book is a sequel to The Devil|s Double, which was made into a feature film of the same name. (The Book the American CIA don|t want you to read.)
Indemnity (Covenant of Trust #2)
Roy Andersson|s and quot;Songs from the Second Floor and quot;: Contemplating the Art of Existence (Nordic Film Classics)
Single Indemnity (Phoenix Pictures #2)
FILM NOIR: 1941 to 1959: Classic Films in the Public Domain.: A Treasure Trove of 60 Film Titles from the Classic Era of Film Noir.
Double, Double, Recoil and Trouble (Pain in the Assassin Cozy Mystery, #2)
Double-Cross System The Incredible Story Of How Nazi Spies Were Turned Into Double Agents
Double Play: The Hidden Passions Behind the Double Assassination of George Moscone and Harvey Milk
The Double-Cross System: The Incredible True Story of How Nazi Spies Were Turned into Double Agents
Butch Fatale, Dyke Dick - Double D Double Cross
Double-Double Demon Trouble (Whiskey Witches Ancients #5)
Double Double Royal Trouble: A Paranormal Cozy Mystery (Magical Renaissance Faire Mysteries Book 9)
Double, Double, Twins and Trouble (1) (Witches of Peculiar)
Double, Double, Tart and Trouble (Spellford Cove, #2)
Dutch Post-war Fiction Film through a Lens of Psychoanalysis (Framing Film)
Bela Balazs: Early Film Theory: Visible Man and The Spirit of Film
After Uniqueness: A History of Film and Video Art in Circulation (Film and Culture Series)
Epistolary Entanglements in Film, Media and the Visual Arts (Film Culture in Transition)
Deathwatch: American Film, Technology, and the End of Life (Film and Culture Series)
A Grammar of the Film - An Analysis of Film Technique by Raymond Spottiswoode (2011-12-20)
A Night to Remember: the Definitive Titanic Film: A British Film Guide
Beyond the Essay Film: Subjectivity, Textuality and Technology (Film Culture in Transition)
Hands on Film: Actants, Aesthetics, Affects (Film Culture in Transition)
Georges Didi-Huberman and Film: The Politics of the Image (Film Thinks)
Unspeakable Histories: Film and the Experience of Catastrophe (Film and Culture Series)
Early Film Theories in Italy, 1896-1922 (Film Theory in Media History)
Futurist Cinema: Studies on Italian Avant-garde Film (Film Culture in Transition)
The Permanent Crisis of Film Criticism: The Anxiety of Authority (Film Theory in Media History)
Film History as Media Archaeology: Tracking Digital Cinema (Film Culture in Transition)
Screening the East: Heimat, Memory and Nostalgia in German Film since 1989 (Film Europa)
Feminism, Film, Fascism: Women|s Auto biographical Film in Postwar Germany
Images of Occupation in Dutch Film: Memory, Myth, and the Cultural Legacy of War (Framing Film)
Governing Visions of the Real: The National Film Unit and Griersonian Documentary Film in Aotearoa New Zealand
Latino Images in Film: Stereotypes, Subversion, and Resistance (Texas Film and Media Studies Series)
Cinematically Transmitted Disease: Eugenics and Film in Weimar and Nazi Germany (Film Europa Book 28)
Screening Characters: Theories of Character in Film, Television, and Interactive Media (AFI Film Readers)