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Japanese Sculpture of the Tempyo Period: Masterpieces of the Eighth Century, One-Volume Edition - Langdon Warner October 1, 2013 PDF  BOOKS
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Japanese Sculpture of the Tempyo Period: Masterpieces of the Eighth Century, One-Volume Edition
Author: Langdon Warner
Year: October 1, 2013
Format: PDF
File size: PDF 36 MB
Language: English



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Japanese Sculpture of the Tempyo Period Masterpieces of the Eighth Century OneVolume Edition: A Study on the Evolution of Technology and the Survival of Humanity As we delve into the world of Japanese sculpture from the Tempyo period, we are struck by the sheer mastery and brilliance of these ancient art forms. This one-volume edition of a work first published as a collection of plates with a separate text offers us a glimpse into the treasures preserved at Nara, Japan, and the illuminating commentary of the late Langdon Warner. We learn how Buddhism spread from India, through China and Korea, finally reaching Japan in the sixth century, becoming a formidable rival to Shinto and ultimately merging with it. The eighth century saw the town of Nara become the first permanent capital of Japan, where temples and shrines were built, and valuable relics of magnificence, beauty, and dignity were preserved. The author takes us on a journey through the craftsmanship, nature, and Shinto culture of Japan, devoting a chapter each to Buddhism and the arts, lacquer sculpture, masks of Gigaku drama, and imagemaking. Each plate is described in detail, providing information on the material, size, location, hanging place, and date of creation. The volume also includes an index of names, places, and subjects, as well as a bibliography of the author's works.
Japanese Sculpture of the Tempyo Period Masterpieces of the Eighth Century OneVolume Edition: A Study on the Evolution of Technology and the Survival of Humanity По мере того, как мы углубляемся в мир японской скульптуры периода Тэмпё, нас поражает чистое мастерство и блеск этих древних форм искусства. Это однотомное издание произведения, впервые опубликованное в виде сборника пластин с отдельным текстом, предлагает нам взглянуть на сокровища, сохранившиеся в Наре, Япония, и осветительные комментарии покойного Лэнгдона Уорнера. Мы узнаем, как буддизм распространился из Индии, через Китай и Корею, наконец достигнув Японии в шестом веке, став грозным соперником синтоизма и в конечном итоге слившись с ним. В восьмом веке город Нара стал первой постоянной столицей Японии, где были построены храмы и святыни, а также сохранены ценные реликвии великолепия, красоты и достоинства. Автор проводит нас в путешествие по мастерству, природе и синтоистской культуре Японии, посвящая по главе буддизму и искусству, лаковой скульптуре, маскам драмы Гигаку и созданию изображений. Каждая табличка подробно описывается, предоставляя информацию о материале, размере, местоположении, месте подвешивания и дате создания. Том также включает указатель имён, мест и предметов, а также библиографию произведений автора.
Japanese Sculpture of the Tempyo Period Masterpieces of the Eight Century OneVolume Edition : A Study on the Evolution of Technology and the Survival of Humanity sculptures de l'époque de Tampyo, nous sommes sidérés par le savoir-faire pur et l'éclat de ces formes d'art antiques. Cette édition en un seul volume de l'œuvre, publiée pour la première fois sous la forme d'un recueil de plaques avec un texte séparé, nous invite à jeter un coup d'oeil aux trésors conservés à Nara, au Japon, et aux commentaires élogieux du défunt Langdon Warner. Nous apprendrons comment le bouddhisme s'est répandu de l'Inde, à travers la Chine et la Corée, atteignant enfin le Japon au sixième siècle, devenant un formidable rival du shintoïsme et finissant par fusionner avec lui. Au huitième siècle, la ville de Nara est devenue la première capitale permanente du Japon, où des temples et des sanctuaires ont été construits et des reliques précieuses de splendeur, de beauté et de dignité ont été conservées. L'auteur nous guide dans un voyage à travers le savoir-faire, la nature et la culture shintoïste du Japon, en nous consacrant à la tête du bouddhisme et de l'art, de la sculpture de vernis, des masques du drame de Gigaku et de la création d'images. Chaque plaque est détaillée en fournissant des informations sur le matériel, la taille, l'emplacement, le lieu de suspension et la date de création. Tom comprend également un index des noms, des lieux et des objets, ainsi qu'une bibliographie des œuvres de l'auteur.
Cultura Japanesa del Tempyo Periodo Masterpieces de la Eighth Century OneVolume Edition: A Study on the Evolution of Technology and the Survival de la humanidad A medida que nos adentramos en el mundo de la escultura japonesa del período Teppyo, nos asombramos por la pura habilidad y brillantez de estas antiguas formas de arte. Esta edición en un solo volumen de la obra, publicada por primera vez como una colección de placas con un texto separado, nos invita a echar un vistazo a los tesoros conservados en Nara, Japón, y a los comentarios de iluminación del fallecido Langdon Warner. Aprenderemos cómo el budismo se extendió desde la India, a través de China y Corea, llegando finalmente a Japón en el siglo VI, convirtiéndose en un formidable rival del sintoísmo y eventualmente fusionándose con él. En el siglo VIII, la ciudad de Nara se convirtió en la primera capital permanente de Japón, donde se construyeron templos y santuarios, y se conservaron valiosas reliquias de esplendor, belleza y dignidad. autor nos guía en un viaje por la artesanía, la naturaleza y la cultura sintoísta de Japón, dedicándonos por capítulo al budismo y el arte, la escultura laca, las máscaras del drama Gigaku y la creación de imágenes. Cada placa se describe en detalle, proporcionando información sobre el material, tamaño, ubicación, lugar de suspensión y fecha de creación. volumen también incluye un índice de nombres, lugares y objetos, así como una bibliografía de las obras del autor.
Japanese Sculpture of the Tempyo Period Masterpieces of the Eighth Century OneVolume Edition: A Study on the Evolution of Technology and the Survival of Humanity Während wir in die Welt der japanischen Skulptur der Tempyo-Zeit eintauchen, wir sind erstaunt über die reine Handwerkskunst und Brillanz dieser alten Kunstformen. Diese einbändige Ausgabe des Werks, die erstmals als Plattensammlung mit separatem Text veröffentlicht wurde, bietet einen Einblick in die im japanischen Nara erhaltenen Schätze und die erhellenden Kommentare des verstorbenen Langdon Warner. Wir erfahren, wie sich der Buddhismus von Indien über China und Korea ausbreitete und schließlich im sechsten Jahrhundert Japan erreichte, zu einem furchterregenden Rivalen des Shintoismus wurde und schließlich mit ihm fusionierte. Im achten Jahrhundert wurde die Stadt Nara die erste dauerhafte Hauptstadt Japans, in der Tempel und Schreine gebaut wurden und wertvolle Relikte von Pracht, Schönheit und Würde bewahrt wurden. Der Autor nimmt uns mit auf eine Reise durch die Handwerkskunst, Natur und Shinto-Kultur Japans und widmet uns dem Buddhismus und der Kunst, der Lackskulptur, den Gigaku-Dramamasken und der Bildgestaltung. Jede Tafel wird detailliert beschrieben und gibt Auskunft über Material, Größe, Standort, Aufhängeort und Erstellungsdatum. Der Band enthält auch ein Verzeichnis der Namen, Orte und Gegenstände sowie eine Bibliographie der Werke des Autors.
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Tempyo Döneminin Japon Heykeli Sekizinci Yüzyılın Başyapıtları OneVolume Edition: Teknolojinin Evrimi ve İnsanlığın Hayatta Kalması Üzerine Bir Çalışma, bu eski sanat formlarının saf beceri ve parlaklığından etkileniyoruz. İlk olarak ayrı bir metne sahip plakaların bir koleksiyonu olarak yayınlanan eserin bu tek ciltlik baskısı, Nara, Japonya'da korunan hazinelere ve geç Langdon Warner'ın aydınlatıcı yorumlarına bir bakış sunuyor. Budizm'in Hindistan'dan Çin ve Kore'ye nasıl yayıldığını, sonunda altıncı yüzyılda Japonya'ya ulaştığını, Şinto'ya karşı zorlu bir rakip haline geldiğini ve sonunda onunla birleştiğini öğreniyoruz. Sekizinci yüzyılda, Nara şehri, tapınakların ve türbelerin yanı sıra ihtişam, güzellik ve haysiyetin değerli kalıntılarının korunduğu Japonya'nın ilk kalıcı başkenti oldu. Yazar bizi Japonya'nın işçiliği, doğası ve Şinto kültürü arasında bir yolculuğa çıkarıyor, Budizm ve sanata, lake heykele, Gigaku drama maskelerine ve görüntü yaratmaya bir bölüm ayırıyor. Her plaka, malzeme, boyut, konum, süspansiyon yeri ve yaratılış tarihi hakkında bilgi veren ayrıntılı olarak açıklanmıştır. Cilt ayrıca isimlerin, yerlerin ve nesnelerin bir dizininin yanı sıra yazarın eserlerinin bir bibliyografyasını da içerir.
النحت الياباني لروائع فترة تمبيو في إصدار المجلد الأول من القرن الثامن: دراسة حول تطور التكنولوجيا وبقاء البشرية، أدهشنا المهارة والتألق المطلقين لهذه الأشكال الفنية القديمة. نُشرت هذه النسخة المكونة من مجلد واحد من العمل لأول مرة كمجموعة من اللوحات ذات نص منفصل، وتقدم لنا نظرة على الكنوز المحفوظة في نارا، اليابان، والتعليقات المضيئة للراحل لانغدون وارنر. نتعلم كيف انتشرت البوذية من الهند، عبر الصين وكوريا، ووصلت أخيرًا إلى اليابان في القرن السادس، وأصبحت منافسًا هائلاً لشنتو واندمجت معها في النهاية. في القرن الثامن، أصبحت مدينة نارا أول عاصمة دائمة لليابان، حيث تم بناء المعابد والأضرحة، بالإضافة إلى الحفاظ على الآثار القيمة من الروعة والجمال والكرامة. يأخذنا المؤلف في رحلة عبر الحرفية والطبيعة وثقافة الشنتو في اليابان، ويكرس فصلاً للبوذية والفن، ونحت الورنيش، وأقنعة جيجاكو الدرامية وخلق الصور. يتم وصف كل لوحة بالتفصيل، وتوفر معلومات حول المواد والحجم والموقع ومكان التعليق وتاريخ الإنشاء. يتضمن المجلد أيضًا فهرسًا للأسماء والأماكن والأشياء، بالإضافة إلى ثبت مرجعي لأعمال المؤلف.

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