BOOKS - Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011 - Lizzy Goodman May 23, 2017 PDF  BOOKS
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Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011
Author: Lizzy Goodman
Year: May 23, 2017
Format: PDF
File size: PDF 9.6 MB
Language: English



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Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City, 2001-2011 In the early 20000s, the New York City music scene was experiencing a seismic shift. As the old guard of the industry crumbled, a new wave of iconoclastic rock bands began to emerge, pushing the city further from the epicenter of the music world. Bands like The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend were honing their sound and style in relative obscurity, but they would soon become symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem.
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City, 2001-2011 В начале 2000-х годов музыкальная сцена Нью-Йорка переживала сейсмический сдвиг. По мере того, как старая гвардия индустрии рассыпалась, начала зарождаться новая волна иконоборческих рок-групп, отодвигающих город подальше от эпицентра музыкального мира. Такие группы, как The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol и Vampire Weekend оттачивали своё звучание и стиль в относительной неизвестности, но вскоре они стали символами гламура для молодого, подкованного в паутине, перспективного поколения, нуждающегося в гимне.
Meet Me in the Bathroom : Rebirth and Rock and Roll in New York City, 2001-2011 Au début des années 2000, la scène musicale de New York connaît un virage sismique. Au fur et à mesure que la vieille garde de l'industrie s'effondrait, une nouvelle vague de groupes de rock iconoclastes commençait à émerger, éloignant la ville de l'épicentre du monde musical. Des groupes tels que The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol et Vampire Weekend ont amélioré leur son et leur style dans une relative inconnue, mais ils sont rapidement devenus des symboles de glamour pour les jeunes, en ligne, une génération prometteuse qui a besoin de l'hymne
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City, 2001-2011 A principios de la década de 2000, la escena musical de Nueva York experimentó un cambio sísmico. A medida que la vieja guardia de la industria se desmoronaba, comenzó a surgir una nueva ola de bandas iconoclastas de rock alejando a la ciudad del epicentro del mundo de la música. Bandas como The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol y Vampire Weekend perfeccionaron su sonido y su estilo en una relativa incógnita, pero pronto se convirtieron en símbolos de glamour para un joven adiestrado en la telaraña, una generación prometedora que necesita un himno.
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City, 2001-2011 A cena musical de Nova York passou por uma mudança sísmica no início dos anos 2000. À medida que a velha guarda da indústria se separou, uma nova onda de grupos icônicos de rock começou a surgir, afastando a cidade do epicentro do mundo musical. Bandas como The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol e Vampire Weekend aprimoraram o seu som e estilo em relativo desconhecimento, mas logo se tornaram símbolos de glamour para um jovem forjado na teia, uma geração promissora que precisa do hino.
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City, 2001-2011 La scena musicale di New York ha subito uno spostamento sismico nei primi anni 2000. Mentre le vecchie guardie dell'industria si dissolvevano, una nuova ondata di gruppi rock iconici cominciò a nascere, allontanando la città dall'epicentro del mondo musicale. Gruppi come The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol e Vampire Weekend hanno perfezionato il loro suono e il loro stile in un modo relativamente sconosciuto, ma presto sono diventati simboli di glamour per una giovane generazione di spider che ha bisogno di un inno.
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City, 2001-2011 In den frühen 2000er Jahren erlebte die New Yorker Musikszene eine seismische Verschiebung. Als die alte Garde der Industrie zusammenbrach, begann sich eine neue Welle ikonoklastischer Rockbands zu bilden, die die Stadt vom Epizentrum der Musikwelt wegbewegten. Bands wie The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol und Vampire Weekend verfeinerten ihren Sound und Stil in relativer Unbekanntheit, aber sie wurden bald zu Symbolen des Glamours für eine junge, webaffine, aufstrebende Generation, die eine Hymne brauchte.
Meet Me in the Bathroom: Rebirth and Rock and Roll w Nowym Jorku, 2001-2011 Scena muzyczna Nowego Jorku na początku lat 2000. W miarę rozpadu starej straży przemysłu zaczęła powstawać nowa fala ikonoklastycznych zespołów rockowych, oddalając miasto od epicentrum świata muzycznego. Zespoły takie jak The Strokes, The Yeah Yeahs, LCD Soundsystem, Interpol i Vampire Weekend urzeczywistniły swój dźwięk i styl w względnej zaciemnieniu, ale wkrótce stały się symbolami glamor dla młodego, przystojnego, obiecującego pokolenia w potrzebie hymn.
פגוש אותי בשירותים: לידה מחדש ורוק אנד רול בניו יורק, 2001-2011 סצנת המוזיקה בניו יורק כשהשומר הישן של התעשייה התפורר, גל חדש של להקות רוק איקונוקלסטיות החל לצוץ, והזיז את העיר הרחק ממוקד עולם המוזיקה. להקות כמו The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol ו-Vampire Weekend חידדו את הסאונד והסגנון שלהם באלמוניות יחסית, אבל הם הפכו עד מהרה לסמלים של זוהר עבור דור צעיר, מתמצא ברשת ומבטיח הזקבלו.''
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City, 2001-2011 New York City müzik sahnesi 2000'li yılların başında sismik bir değişim yaşadı. Endüstrinin eski muhafızları çökerken, yeni bir ikonoklastik rock grupları dalgası ortaya çıkmaya başladı ve şehri müzik dünyasının merkez üssünden uzaklaştırdı. The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol ve Vampire Weekend gibi gruplar seslerini ve tarzlarını göreceli bir bilinmezlik içinde geliştirdiler, ancak kısa sürede bir ilahiye ihtiyaç duyan genç, web meraklısı, gelecek vaat eden bir nesil için cazibe sembolleri haline geldiler.
Meet Me in the Bathroom: Rebirth and Rock and Roll في مدينة نيويورك، 2001-2011 شهد المشهد الموسيقي في مدينة نيويورك تحولًا زلزاليًا في أوائل العقد الأول من القرن الحادي والعشرين. مع انهيار الحرس القديم للصناعة، بدأت موجة جديدة من فرق الروك الأيقونية في الظهور، مما أدى إلى ابتعاد المدينة عن مركز عالم الموسيقى. قامت فرق مثل The Strokes و The Yeah Yeah Yeahs و LCD Soundsystem و Interpol و Vampire Weekend بشحذ صوتها وأسلوبها في غموض نسبي، لكنها سرعان ما أصبحت رموزًا للبريق لجيل شاب بارع في الويب وواعد بحاجة إلى نشيد.
2001-2011 년 뉴욕시의 욕실에서 저를 만나십시오: Rebirth and Rock and Roll 뉴욕시 음악계는 2000 년대 초에 지진 변화를 경험했습니다. 업계의 오래된 경비원이 무너지면서 새로운 상징적 인 록 밴드가 등장하기 시작하여 도시를 음악계의 진원지에서 멀어지게했습니다. The Strokes, The You You Yeahs, LCD Soundsystem, Interpol 및 Vampire Weekend와 같은 밴드는 상대적으로 모호한 소리와 스타일을 연마했지만 곧 찬송가가 필요한 젊고 웹에 정통하며 유망한 세대의 매력의 상징이되었습니다.
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City、 2001-2011ニューヨークの音楽シーンは2000代初頭に地震的な変化を経験しました。業界の古いガードが崩壊すると、アイコノクラスティックロックバンドの新しい波が現れ始め、音楽界の震源地から街を遠ざけました。The Strokes、 The Yeah Yeah Yeah、 LCD Soundsystem、 Interpol、 Vampire Weekendなどのバンドは、サウンドとスタイルを比較的曖昧に磨きましたが、彼らはすぐに若い、ウェブに精通した、賛美歌を必要とする世代を約束するための魅力のシンボルになりました。
在浴室遇見我:紐約市的復興與搖滾樂,2001-2011在2000代初期,紐約的音樂界經歷了地震轉變。隨著行業老衛隊的崩潰,一波新的反傳統搖滾樂隊開始出現,使這座城市遠離音樂世界的震中。The Strokes、The Yeah Yeah Yeahs、LCD Soundsystem、Interpol和Vampire Weekend等樂隊在相對默默無聞的情況下磨練了他們的聲音和風格,但很快就成為了一個輕、精通網絡、有前途的一代需要的魅力的象征贊美詩。

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